From its depictions of black women to the representation of slavery itself, Nate Parker’s film is deeply flawed and historically inaccurate. 

EXCERPT:  Like the film’s other fabrications about black women, the rape story line is carefully constructed to redeem black masculinity at black women’s expense. According to The Birth of a Nation, all of the women in Turner’s life were passive victims in desperate need of black male protection. This fabrication flies in the face of historical fact. There is overwhelming evidence that Turner’s mother fought valiantly against slavery, even attempting to commit infanticide when Nat was born to prevent him from being enslaved. Yet Parker and Celestin depicted her as a meek, mild victim who resigned herself to slavery. Cherry and her daughter are also portrayed as helpless victims who suffer unspeakable horrors until Turner rides in on his horse and vows to seek vengeance on their behalf. The only other major black female character in the film, who is brilliantly played by actress Gabrielle Union, does not speak a single word during the entire movie. She literally has no voice, and like all of the other black women in the film, she has no agency. Instead, like Cherry, she is a victim of a horrifying rape, which must be avenged by the black male heroes in her life.


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